Whim W’him is closing their season with a bang, literally.

Sandi Kurtz, The Seattle Weekly

Its story of love, betrayal and broken contracts is straightforward enough. It’s the flourishes — especially Michael Mazzola’s lighting design and Dylan Ward’s electronic distortions of a Prokofiev piano score — that give it its intensity, along with the feverish rigor of the dancing.

Michael Upchurch, The Seattle Times

The small and exceptional local contemporary dance company consistently premieres new work from some of the best choreographers anywhere and this time, to use a baseball metaphor, they’ve knocked it out of the park.

Florangela Davila, Crosscut