Bartee’s I’m here but it’s not the same opens with a series of simple adjustments, as dancers move slightly during a blackout to reappear in a different location when the lights come back up. They add other subtle shifts as well, changing shape or direction, all of it calm and uninflected. Gradually the random movements become disconcerting, patterns overlap, and some of the dancers interact. Bartee keeps to a minimal palette, even as the movement becomes more dense, maintaining a sense of restraint through to the end.