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rehearsing 1 – Olivier Wevers & Co

By Victoria Farr Brown|2018-02-09T16:51:05-08:00October 16th, 2012|

"This is one of those transitions you have to figure [...]

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dancing Lives— Lara Seefeldt 2

By Victoria Farr Brown|2017-02-07T02:21:04-08:00October 12th, 2012|

Whim W'him rehearsals began last June on a few days [...]

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transition!—Lucien Postlewaite

By Victoria Farr Brown|2017-02-07T02:21:04-08:00August 1st, 2012|

This summer is a complicated juncture in the life of [...]

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words & dance— Hedda at Intiman; does it work?

By Victoria Farr Brown|2017-02-07T02:21:04-08:00July 25th, 2012|

Although I first read Hedda Gabler long ago on a [...]

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only connect—Annabelle Lopez Ochoa

By Victoria Farr Brown|2017-02-07T02:21:04-08:00July 18th, 2012|

Annabelle Lopez Ochoa’s previous piece for Whim W’Him, Cylindrical Shadows [...]

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Hedda in motion

By Victoria Farr Brown|2017-02-07T02:21:04-08:00June 27th, 2012|

It never occurred to me before last night, why Henrik [...]

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Marya Sea Kaminski as Hedda Gabler

By Victoria Farr Brown|2018-02-14T16:50:41-08:00June 12th, 2012|

I'm sitting in a hotel room at 11 pm in [...]

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Whimmers keep on moving

By Victoria Farr Brown|2018-02-14T10:51:28-08:00June 4th, 2012|

Sumer is icumen in! Whimmers are scattering—traveling and dancing all [...]

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thoughts on Approaching Ecstasy

By Victoria Farr Brown|2017-02-07T02:21:05-08:00May 26th, 2012|

I was going to write a compendium of reviews and [...]

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lighting ecstasy— Jeff Forbes

By Victoria Farr Brown|2017-02-07T02:21:05-08:00May 18th, 2012|

There is such tension in this program between external constraint [...]