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only connect—Annabelle Lopez Ochoa

By Victoria Farr Brown|2017-02-07T02:21:04-08:00July 18th, 2012|

Annabelle Lopez Ochoa’s previous piece for Whim W’Him, Cylindrical Shadows [...]

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Hedda in motion

By Victoria Farr Brown|2017-02-07T02:21:04-08:00June 27th, 2012|

It never occurred to me before last night, why Henrik [...]

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Marya Sea Kaminski as Hedda Gabler

By Victoria Farr Brown|2018-02-14T16:50:41-08:00June 12th, 2012|

I'm sitting in a hotel room at 11 pm in [...]

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Whimmers keep on moving

By Victoria Farr Brown|2018-02-14T10:51:28-08:00June 4th, 2012|

Sumer is icumen in! Whimmers are scattering—traveling and dancing all [...]

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thoughts on Approaching Ecstasy

By Victoria Farr Brown|2017-02-07T02:21:05-08:00May 26th, 2012|

I was going to write a compendium of reviews and [...]

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lighting ecstasy— Jeff Forbes

By Victoria Farr Brown|2017-02-07T02:21:05-08:00May 18th, 2012|

There is such tension in this program between external constraint [...]

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approaching ecstasy – on stage

By Victoria Farr Brown|2017-02-07T02:21:05-08:00May 11th, 2012|

Next week is opening night for Approaching Ecstasy, Whim W’Him’s [...]

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approaching ecstasy from multiple directions…

By Victoria Farr Brown|2017-02-07T02:21:05-08:00May 4th, 2012|

One of the most intriguing aspects of Whim W’Him artistic [...]

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costuming – Anastasia Armes

By Victoria Farr Brown|2017-02-07T02:21:05-08:00May 1st, 2012|

Anastasia with 6-year-old daughter Mila Anastasia Armes grew [...]

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rehearsing-in the studio with Whim W’Him

By Victoria Farr Brown|2017-02-07T02:21:05-08:00April 24th, 2012|

Exciting to be back in the studio yesterday, observing Olivier [...]